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When approached with a unity / variety question...

Composers aim to achieve an effective balance between unity and variety.

UNITY

UNITY is achieved in a piece of music by repetition of ideas.

  • Rhythm

  • ostinati; regular use of rhythmic motifs

  • Tempo

  • consistent speed maintained

  • Metre

  • consistent pulse and unchanging time signature

  • Melody

  • repeated melodic motifs

  • regular contour

  • stays in the same register

  • consistent use of steps or leaps

  • regular phrasing

  • Harmony

  • emphasis on particular interval

  • generally consonant or dissonant

  • use of pedal tone or drone

  • consistent use of chord type and sonority

  • regular rate of harmonic change

  • repetition of progression

  • regular use of cadences

  • Tonality

  • constant tonal centre

  • consistently atonal

  • return to opening key

  • Tone colour

  • same instrumental or vocal grouping maintained

  • same instrument associated with melody or bass or accompaniment

  • Expressive techniques

  • consistent dynamic level

  • established pattern of repeated dynamics

  • consistent approach to articulation or ornamentation

  • Texture

  • consistent pattern of melody and accompaniment, or if melody and counter melodies.

VARIETY

VARIETY is achieved in a piece of music by contrasting ideas.

  • Rhythm

  • change of note patterns

  • syncopation

  • variation of motifs

  • Tempo

  • accel. or ritard.

  • use of rubato

  • sudden change of speed

  • Meter

  • irregular time signature

  • additive meter

  • polymeter

  • Melody

  • variable contour or range

  • contrast of steps and leaps

  • development of motifs

  • irregular phrasing

  • Harmony

  • change between consonant and dissonant

  • variable chord types

  • contrast in harmonic rhythm

  • new progressions

  • Tonality

  • modulation

  • change from diatonic to atonal

  • Tone colour

  • contrast in instrumental or vocal groupings

  • melody dovetailed between different instruments

  • use of acoustic and electronic sound sources

  • extremes of registers used

  • Expressive techniques

  • cresc. and descres. sudden f or p (terraced)

  • accents and sf, fp

  • contrast between legato and staccato

  • different ornaments used

  • Texture

  • change from homophonic to polyphonic

  • contrast between density and clarity

  • changing number of layers of sound

  • Structure

  • contrasting sections, episodes


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